When the Amazon princess Diana escorts pilot Steve Trevor home to the United States after his crash-landing on the mystical island of Themyscria, she must also deal with the ambitions of the Greek god Ares. Ares intends to use an ancient artifact, the Hand of Rage, to plunge the world into a centuries long war that will also ensure his revenge against Themyscria’s Amazons. To save her people and the world, Diana must become Wonder Woman.

The 25th Hour depicts the last day of freedom for a young man before he begins serving a seven-year jail term for drug dealing. Prowling through the city until dawn with his two close male friends and his girlfriend, he is forced to re-examine his life and how he got himself into his predicament, which leads to a shocking, disturbing finale.

Disturbing, dark, low-budget independent film about teen-agers growing up in poverty in New York City. The story focuses on Telly (Leo Fitzpatrick), a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted.

In order to get out of hock with mobster Billy Walker, restaraunteur-turned-”retrieval expert” Beck has to go down to Brazil and retrieve Billy’s ne’er-do-well archaeologist-wannabe son Travis, who is searching for an ancient gold idol called the Gato del Diablo. This idol is prized by not only the local population as the path to their salvation, but by Cornelius Hatcher, slavedriving operator of the Helldorado mining town who oppresses said population in the name of profits, and Hatcher just won’t let Beck leave with Travis.

Imogen and Al meet at college in New York City when she’s a frosh and he’s a sophomore. She’s a talented artist; he wants to be a chef, following in his father’s footsteps. They fall in love, she picks a song for them, they make love. But she fears losing her youth, committing too soon, having a child before she’s ready. He’s worried that this may be an illusion, not true love. She sleeps with someone else; he’s hurt; the relationship ruptures. She leaves for San Francisco; he goes into an alcohol-assisted depression. He even drinks her shampoo, hoping to cure his obsession. Can anything help him recover?

Stuntman Mike is a former Hollywood stunt race car driver who targets and kills women with his “death-proof” stunt car. In Act I, Mike surfaces in Austin, Texas to target a group of women whom he knows; Jungle Julia an outgoing, dope-smoking, radio DJ/fashion model meeting her old school friends for a night on the town whom are sentimental model Arlene, and local bad-girl Shanna, as well as bar-nut hippie Pam who tries to make Mike notice her, unaware of his sociopath and misogynist tendencies. In Act II, Stuntman Mike surfaces in Tennessee where he randomly picks another another group of women to stalk all of whom work in the motion picture business; Abernathy is a make-up girl and stand-in wanting a chance of pace in her life. Lee is a naive B-movie actress. Kim is a tough-minded stunt woman always wanting action. And Zoe is a fellow stunt woman from New Zealand visiting her friends. However, the second set of girls proves more though to get, and because of a combination of bad luck and Stuntman Mike’s carelessness, the girls decide to turn the tables on their tormentor for revenge of their own…

It has been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Kay has since returned to the comforts of civilian life while Jay continues to work for the Men in Black, the highly funded yet unofficial government agency that regulates all things alien on earth. While investigating a seemingly routine crime, Jay uncovers a diabolical plot masterminded by Serleena, an evil Kylothian monster who disguises herself as a sexy lingerie model. It’s a race against the clock as Jay must convince Kay—who not only has no memory of his time spent with the agency, but is also the only person alive who has the expertise to save the galaxy—to reunite with the MIB before Earth is destroyed completely.

Six New Yorkers have an interrelated series of relationships. TV producer Tommy, who’s just broken up with his girlfriend, has a short relationship with commitment-phobe Maria, who he meets in a video store, and also hooks up with married real-estate agent Annie, who he meets while apartment hunting. Annie is open to a relationship because her husband, Griffin, is cheating on her, which she slowly comes to realize through talking to her friend/co-worker who’s gone through the same thing. Griffin, a 39-year-old dentist, is cheating with 19-year-old waitress Ashley, who he picked up in a park; she realizes she can do better when Ben, a hotel doorman and aspiring musician, tries to pick her up, in a belated attempt to recover from his divorce a year ago from schoolteacher Maria (the same Maria from the video store). Most of these relationships seem driven more by a desperate need to be in a relationship than actual love.

This film adaptation of Jonathan Larson’s Pulitzer Prize and Tony Award winning rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark (Anthony Rapp) and Roger (Adam Pascal), two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story. Rosario Dawson, Jesse L. Martin, Idina Menzel, Wilson Jermaine Heredia, Tracie Thoms, and Taye Diggs also star.

After his successful night club is blown to flaming bits, Pluto and his band travel across the moon looking for clues as to who is behind the arson. Along with Bruno and Dina, Pluto visits a seedy motel, his secret hide out and the casino of the most powerful man on the moon searching for the evil doer, only to find out that the destruction of his club may have been his own fault