The first female US President Sally Sheridan is shot dead by a sniper during her Independence Day speech. Her assassin narrowly escapes the scene with his life, national security hot on his heels - or so it seems. Three months later, an elderly couple discover the body of a wounded man washed up on a beach. The young man (Dorff) cannot remember the slightest thing about his own identity. The only clue is a tattoo on his neck, “XIII”. Meanwhile, in the Whitehouse, government intelligence is still conducting the search for the President’s killer. With the elections just weeks away, a confirmed suspect could swing the vote for the administration. Hours after XIII’s location is picked up by covert intelligence, elite special ops forces are swarming the couple’s house in Cape Fear. Running on adrenaline and instinct, XIII tactically takes out the soldiers one by one. On the run, clinging to one desperate clue after another, XIII begins to piece back his life, fragments of his memory returning. Finally captured, he learns that he has been given a stolen identity and placed undercover to flush out a group of conspirators threatening to overthrow the government. Ensconced within the highest echelons of power the conspirators run their own security agency alongside the Government’s. Both are out to find him. The only way for XIII to get his own life back is to play bait. A dangerous game, especially when you don’t know who you really are.

Between his tax problems and his legal battle with his wife for the custody of his daughter, these are hard times for the action movie star who finds that even Steven Seagal has pinched a role from him! In JCVD, Jean-Claude Van Damme returns to the country of his birth to seek the peace and tranquility he can no longer enjoy in the United States.

Based on Thomas Harris’ book of the same name, this prequel shows a young Hannibal Lecter in three different phases of his life from childhood in Lithuania to his ten years in England up to his time in Russia before his capture by FBI agent Will Graham in Red Dragon.

A band comprised of members of the Egyptian police force head to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves lost in the wrong town.

Russian mobster Terek Murad has declared open season on the Russian militia and the FBI over the shooting of his brother in a Moscow nightclub. He hires the Jackal, a nasty assassin whom nobody has even seen, to kill the Director of the FBI. With nowhere else to turn (except a woman who used to work with the Basque separatists, who is now in the USA but whose exact whereabouts in unknown to all save Mulqueen), FBI Deputy Director Carter Preston (who was present at the Moscow shooting) and Major Valentina Koslova of the Russian milita (who pulled the trigger in that shooting) enlist the reluctant services of Declan Mulqueen, an imprisoned IRA sniper, to track the Jackal down, for Declan is the only other person who can positively identify the Jackal.

A young woman who recently graduated from engineering school travels to a remote location to supervise the demolition of a mysterious building. She soon discovers the horrifying secrets of the building and its past inhabitants, many of whom were victims of a vicious murderer who entombed his prey alive within its walls. Now she must turn the tables on the killer before she becomes his latest victim.

Red is an aging scam-artist who’s just been released from prison together with Ronnie, a young and not-so-bright hoodlum who is easily manipulated. Their new business is to organize fake-money sales and then kill the buyer to take his money; but when Ronnie kills an undercover secret service agent, his partner Jimmy Mercer vows revenge and is given one week to catch the killers before being transferred.

In a virtually all-white Iowa town, Flip daydreams of being a hip-hop star, hanging with Snoop Doggy Dogg and Dr. Dre. He practices in front of a mirror and with his two pals, James and Trevor. He talks Black slang, he dresses Black. He’s also a wannabe pusher, selling flour as cocaine. And while he talks about “keeping it real,” he hardly notices real life around him: his father’s been laid off, his mother uses Food Stamps, his girlfriend is pregnant, James may be psychotic, one of his friends (one of the town’s few Black kids) is preparing for college, and, on a trip to Chicago to try to buy drugs, the cops shoot real bullets. What will it take for Flip to get real?

A contemporary psychological thriller in which a young British couple travelling through the Australian outback become involved with a mysterious and charismatic American whose motive for imposing his friendship upon them becomes increasingly suspect and sinister.