American Frank Pryor (Lloyd Bridges) arrives in London to take up an interrupted romance with Pauline French (Moria Lister), whom he hasn’t seen in six years. At the airport a man standing alongside Pryor is slain by an unseen sniper, and he is detained by Scotland Yard for questioning. Released, he goes to Pauline’s apartment, and learns that she had an intimate association with the slain man and is not interested in talking about it. Scotland Yard also knows this and Pryor and Pauline are kept under surveillance. After complications involving the dead man’s wife, it is found that the man Pauline knows isn’t dead at all and isn’t who he is supposed to be.

“It wasn’t a particularly good story, but I liked the atmosphere of Berlin after the war, and I wanted to work again with James Mason.” Thus did director Carol Reed explain his decision to return to thrillers with The Man Between. Unfortunately, political conditions forced Reed out of Berlin before shooting wrapped, compelling him to complete the picture in the studio. Even so, the story of East Berliner Ivo Kern (Mason) who rescues Susanne Mallison (Claire Bloom), a British woman trapped in the Soviet Zone, is a minor masterpiece of suspense. Despite great danger to himself, Kern takes it upon himself to escort Mallison back to her family in West Berlin. After a daring dash through the countryside, the seeming impossible is achieved—but only through a conspicuous act of self sacrifice. Never completely satisfied with The Man Between, Carol Reed grudgingly admitted “It made back its money.”

Having missed connections with a maharajah, gorgeous, adaptable playgirl Eloise Kelly descends upon white hunter Vic Marswell. After brief resistance, they fall into each other’s arms. Then anthropologist Donald Nordley arrives; Vic is inexplicably drawn to Mrs. Nordley, a blonde twit. Kelly, her departure delayed, must go along on the Nordley safari where the two women clash over Vic. Much local color along the way.

In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a prophecy. Enter beautiful Princess Salome, Herod’s long-absent stepdaughter. Herodias sees the king’s dawning lust for Salome as her means of bending the king to her will. But Salome and her lover Claudius are (contrary to Scripture) nearing conversion to the new religion. And the famous climactic dance turns out to have unexpected implications…

Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras. They are then forced by bank robber Mugsy and his pal Harry to fly to Venus where they find a civilization made up entirely of women, men having been banished.

Matt and Dean are in trouble. Dean owes tons of gambling debts. To pay it off, he promises to fix a horse, so that it does not run. To do that, he intends to use his animal lover, veterenian apprentice cousin, Jerry to do this. Of course, he doesn’t tell Jerry the real reason. Hilarity ensues as mistaken identies are assumed, while along the way, Jerry meets a female vet and Dean falls for the owner of the horse he’s promised to fix. Goons and mobsters are also lurking around; so beware!

Hondo Lane, a despatch rider for the cavalry, encounters Angie Lowe, a woman living alone with her young son in the midst of hostile Apache territory. She presumes she is safe because the Apaches, under their chief Vittorio, have always left them alone. Later Lane has a run-in with Angie’s reprobate husband and is forced to kill him, not knowing who he is. Vittorio captures Lane and to save his life, Angie tells the Apache chief that Lane is her husband, unaware that Lane has killed her real husband. In order to protect her from a forced marriage with one of the Apache, Lane reluctantly goes along with the lie, though he knows the truth must eventually come out, to Vittorio and to Angie, both.

Lorelei and Dorothy are just “Two Little Girls from Little Rock”, lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though “Diamonds are a Girl’s Best Friend.” Based on the Broadway musical based on the novel.

A sculptor of wax figures for a museum is horrified when his partner proposes setting fire to the unpopular museum in order to collect the insurance money. As the wax figures melt amid the blaze, the two men have a fight. The sculptor is knocked out in the scuffle and left to “perish” among the flames. He resurfaces many years later for the launch of his own wax museum. The opening coincides with the sudden disappearance of some dead bodies from the city morgue. His assistant begins to suspect his boss of foul play, especially after the deranged wizard of wax begins eyeing his assistant’s lovely girlfriend’s friend as a model for a waxed figure of Marie Antoinette.